BOOKS, MUSIC & COMMENTARY

      WITH B.D. POE



      THE HISTORY OF THE BLUES:

        The Roots, The Music, The People...

      By Francis Davis
      Hyperion, NY, 1995.


      IF you ever read a book on The Blues-
      this is the book to read. From Pre-
      History to the mid 90's the Blues
      are covered.
      
      ROCK and roll fans as well as R&B
      lovers will find their roots here too.
      The short essays on Blues performers
      are indeed a vital contribution to
      black history. The reader may find 
      that a lot of popular music myth
      started with the Blues.
      
      COULD it be that in 1923 a rather
      ugly but extremely popular female
      blues singer set the standard for
      every POP-ROCK performance that
      followed? Ma Rainey was her name
      and for her day she incorperated
      elaborate set designs, outrageous
      costumes with her soul shaking
      vocals delivered with spirited
      struts and sashays! Shades of Elton
      John!
      
      JUST who came up with the idea of
      selling ones' self to the devil for
      musical success and popularity?
      Was it Robert Johnson?
      (Johnson's songs and lyrics covered
      by groups like the Stones and Led
      ZEP.) Or was it something already
      entrenched in black mythology of
      his times.
      
      THE author, Davis, makes a strong
      case that those famous Robert Johnson
      tunes were borrowed, adapted or 
      influenced by previous black bluesmen.
      "Crossroads Blues" he believes was taken
      from Charlie Patton's 1929 song
      "Down The Dirt Road Blues."
      
      IF Rock's British invasion was steeped in
      American Black Blues - Was the Folk 
      movement inspired by LEDBELLY?
      Davis makes the case.
      
      INDEED it was BOB DYLAN'S HWY 61
      that Bessie Smith died on under mysterious
      circumstances!
      
      MY favorite story from THE HISTORY OF
      THE BLUES is one of Canned Heat's 
      founder "Blind Owl" Wilson (he wasn't
      blind that was kind of a tribute to all
      the Blind boy black bluesmen like
      Blind Lemon Jefferson but he was the high
      range vocal on "Going Up The Country" and
      "On The Road Again.") rediscovering Blues
      pioneer SON HOUSE who had'nt played in
      years. Here the white boy, Wilson, re teaches
      Son House how he played his own songs long
      ago.
      
      ALSO fascinating is the story of the interplay
      between Willie Dixon, Muddy Waters and
      Howlin' Wolf. It was Dixon who wrote
      "Hoochie Coochie Man", "Spoonful," "Backdoor
      Man," and "Walking The Dog."
      
      I found The History Of The Blues great
      bedside reading - You may too!
      Rock On Boomers!